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lens Canon EF 100mm F2.8 L IS USM Macro

 lens Canon EF 100mm F2.8 L IS USM Macro
lens Canon EF 100mm F2.8 L IS USM Macro
Giá: 200.000đ đ/ngày
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*REVIEW

Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens

The Canon EF 100mm f/2.8L IS USM Macro Lens is an extremely fun lens to use. It combinesexcellent image quality with a useful focal length, a relatively small/light body, fast/quiet AF with 1:1 (1x) macro capabilities - and HIS (Hybrid Image Stabilization).
The above hoarfrosted leaf was captured handheld (1/25 sec, f/2.8, ISO 100) between very strong wind gusts at the top of Cadillac Mountain (Maine). The 100 L was mounted to a Canon EOS 5D Mark II. My less-enthusiastic-than-they-should-have-been expectations were lifted by the fact that this was anL lens. And, the Canon MTF chart (the higher the lines, the better the expected image quality) was looking great. I don't regularly include Canon's theoretical MTF charts in the reviews, but this one is drool-worthy. This lens promised to be extremely sharp even wide open. Canon EF 100mm f/2.8L IS USM Macro Lens MTF Chart Xây dựng chất lượng tổng thể là rất tốt - và bao gồm thời tiết niêm phong. Tôi thích thiết kế mượt thẳng của ống kính này - bao gồm cả các thiết bị chuyển mạch tuôn ra gắn kết. 100 L Macro là rất thoải mái để giữ và sử dụng. Có một cái nhìn (sử dụng các liên kết mouseover bên dưới hình ảnh ống kính) và so sánh các ống kính này cho người khác: Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens (1) Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens (2) Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens (3) Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens (4) Review a size/weight comparison chart below.  
Model Weight Dimensions w/o Hood Filter Year
Canon EF 50mm f/2.5 Macro Lens 9.9 oz (280g) 2.7 x 2.5" (68 x 63mm) 52mm 1987
Sigma 50mm f/2.8 EX DG Macro Lens 11.1 oz (315g) 2.8 x 2.5" (72 x 64mm) 55mm 1998
Canon EF-S 60mm f/2.8 Macro USM Lens 11.8 oz (335g) 2.9 x 2.8" (73 x 70mm) 52mm 2006
Canon MP-E 65mm Macro Lens 25.8 oz (730g) 3.2 x 3.9" (81 x 98mm) 58mm 1999
Tamron 90mm f/2.8 Di Macro Lens 14.3 oz (405g) 2.8 x 3.8" (72 x 97mm) 55mm  
Canon EF 100mm f/2.0 USM Lens 16.2 oz (460g) 3 x 2.9" (75 x 74mm) 58mm 1991
Canon EF 100mm f/2.8 USM Macro Lens 21.2 oz (600g) 3.1 x 4.7" (79 x 119mm) 58mm 2000
Canon EF 100mm f/2.8L IS USM Macro Lens 22.1 oz (625g) 3.1 x 4.8" (77.7 x 123mm) 67mm 2009
Sigma 105mm f/2.8 EX DG Macro Lens 15.9 oz (450g) 2.9 x 3.7" (74 x 95mm) 58mm  
Sigma 150mm f/2.8 EX DG HSM Macro Lens 31.6 oz (895g) 3.1 x 5.4" (79.6 x 137mm) 72mm 2006
Canon EF 180mm f/3.5L USM Macro Lens 38.5 oz (1090g) 3.3 x 7.4" (83 x 187mm) 72mm 1996
Sigma 180mm f/3.5 EX DG HSM Macro Lens 33.4 oz (945g) 3.1 x 7.1" (80 x 180mm) 72mm  
Tamron 180mm f/3.5 Di Macro Lens 32.5 oz (920g) 3.3 x 6.5" (85 x 166mm) 72mm  
  Though it gained IS, weather sealing and L-designation over the non-IS 100mm macro lens, the 100 L IS macro gained almost no size or weight. This is an easy-to-use and easy-to-take-with-you size and weight. Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens-1 Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens-2 Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens-3 Canon-EF-100mm-f-2.8-L-IS-USM-Macro-Lens-4 The 100 L is shown mounted to a Canon EOS 7D above. he aperture displayed by the camera assumes an infinity focus distance; however, the effective aperture becomes darker at closer focus distances. The following chart details the amount of light loss incurred at the specified subject magnification.  
Magnification: 1:5 1:3 1:2 1:1.5 1:1
Exposure Factor (loss in stops) 0 2/3 1 1 1/3 1 2/3 2
Effective Aperture   f/2.8   f/3.6   f/4.1   f/4.6   f/5.0   f/5.9
AE (Auto Exposure) will automatically adjust for this aperture change, but a longer shutter speed is the result. Feather Sample Picture Enter HIS - Hybrid Image Stabilization - adding another dimension of stabilization over conventional IS. Hybrid IS adds correction for shift movement to the conventional angular correction as the graphic below depicts. 100 L - Hybrid IS This H-IS system is rated for 4 stops of camera motion help. Without IS, I need a shutter speed of 1/80 to 1/100 to handhold this lens on a full frame body. With IS switched on, in a not-very-steady shooting position (I felt shakier than usual during this test), I can get a very good keeper rate at shutter speeds as long as 1/5 second. Impressive - and at least 4 stops of improvement. Here is an example: *With HIS: Image-Stabilization-1 Image-Stabilization-3 *Without HIS: Image-Stabilization-2 Image-Stabilization-4   Choosing a macro lens, like choosing any lens, means getting the right focal length for your needs. The 100mm focal length is one I highly recommend.
Model MFD MWD MM 12mm ET 25mm ET 1.4x 2x
Canon EF-S 60mm f/2.8 Macro USM Lens 7.9" (200mm) 3.5" (90mm) 1x 1.28x 1.61x N N
Tamron SP 90mm f/2.8 Di Macro Lens 11.4" (290mm) 3.9" (99mm) 1x     Y Y
Canon EF 100mm f/2.8 USM Macro Lens 11.8" (300mm) 6.0" (150mm) 1x 1.19x 1.39x N N
Canon EF 100mm f/2.8L IS USM Macro 11.8" (300mm) 5.9" (146mm) 1x 1.17x 1.37x N N
Sigma 105mm f/2.8 EX DG Macro Lens 12.2" (310m) 4.7" (122mm) 1x     N N
Sigma 150mm f/2.8 EX DG HSM Macro Lens 15.0" (380mm) 7.6" (194mm) 1x     Y Y
Canon EF 180mm f/3.5L USM Macro Lens 19.2" (480mm) 9.5" (240mm) 1x 1.09x 1.21x Y Y
Sigma 180mm f/3.5 EX DG APO HSM Macro Lens 18.0" (460mm)     1x     Y Y
Tamron SP 180mm f/3.5 Di LD Macro Lens 18.5" (470mm)     1x     Y
  Focal Length Background Blur Comparison   The pictures above were taken with three macro lenses (180mm L, 100mm non-IS and 60mm). They are identically framed using the same camera, the same aperture setting (f/16) and they have identical subject to background distances. DOF (Depth of Field) is not different (same framing, same aperture = same DOF until closer to the hyper-focal distance), but perspective / compression / angle of view are very different. The 180mm lens shows only a small physical area of the subject's background that is enlarged - magnifying the blur. Background subjects in the 60mm picture appear to be more in focus. They are not - they are just about as blurred, but they appear much smaller in the picture - and there are more of them because of the 60mm's angle of view. This yields a less diffusely-blurred background. If you are using a backdrop (such as rolled paper), the background blur aspect will probably not be important to you. Canon EF 100mm f/2.8L IS USM Macro Lens Sample Picture - Rainbow and Storm Over Ocean The above rainbow moving over the ocean was captured using the 100 L and a 5D Mark II.    

*IMAGE QUALITY

      2009-10-02_10-27-40 CENTER 2009-10-02_10-27-40 (1) MID - FRAME 2009-10-02_10-27-40 CORNER      

*SAMPLE PICTURE

     
Spider on a Helleborus
 
I was shooting this Helleborus flower in my studio when the spider climbed out of its hiding spot and raced across the leaf. I immediately went into action-photography mode and timed the shutter to include the spider in a balanced composition.
Gear Used
Canon EOS 1Ds Mark III Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/16.0  1/160s
ISO 100 5616 x 3744px
     
Polyphemus Moth
The Polyphemus Moth is very beautiful - especially when they are just out of their cocoon. This Polyphemus Moth has not taken its first flight yet, and with perfect wings, required almost no post processing. Light is from a setting sun. This shot made great use of the Canon EF 100mm f/2.8 L IS USM Lens' image stabilization. IS helped me frame the shot precisely, tightly and kept the shot sharp at 1/50 sec. The camera position is such that the entire length of wings falls into the plane of sharp focus.
Gear Used
Canon EOS 1Ds Mark III Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/11.0  1/50s ISO 100 5616 x 3744px

 

 

Softly-Lit Many-Petaled Purple Flower
Creating a soft, even light on a close subject such as this one is a challenge that is often best-met by a small softbox positioned just outside of the frame. Creating this light with an on-camera Speedlite is a challenge that is perhaps best-met with a Rogue FlashBender Softbox. For this photo, a Canon 600EX-RT was mounted with its head in the forward position. In this position, the attached FlashBender Softbox protruded out over the end of the lens to provide a broad overhead light on the flower, creating nice soft lighting without harsh shadows. From a compositional standpoint, I positioned the flower so that the lines of the petals would radiate into the picture from a point about 1/3 of the way into the frame from both the bottom and right. The purple color borders/frames the cream/white color.
Gear Used
Canon EOS 5D Mark IIIBuy ► Canon EF 100mm f/2.8L IS USM Macro LensBuy ► Canon Speedlite 600EX-RT FlashBuy ► Rogue FlashBenderBuy ►
Camera and Lens Settings
100mm  f/11.0  1/60s ISO 100 5760 x 3840px
 
 
 
Fall Foliage Reflecting on Eagle Lake
This particular Eagle Lake is in Acadia National Park, Maine. The sun shines on the brilliantly-colored fall foliage while the calm lake reflects its brilliance. Macro lenses usually work very well for non-macro purposes.
Gear Used
Canon EOS 5D Mark II Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/11.0  1/13s ISO 100 5616 x 3744px
 
 
 

Ripe Berries

Ripe Berries
Ripe berries await the flock of Cedar Waxed Wings that move from area to area harvesting the crop. Notice the S-curve flow the leaf, berries and branch form in the picture.
Gear Used
Canon EOS 5D Mark II Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/2.8  1/160s ISO 100 5616 x 3744px
 
 
 
 
Fall Sumac Leaves
Sumac trees are one of the most-reliable fall-foliage performers in the area. They rarely disappoint. Isolate a leaf or small group of leaves against a pleasing background for a picture that also will not disappoint.
Gear Used
Canon EOS 5D Mark II Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/2.8  1/2000s ISO 100 5616 x 3744px
 
 
 
 

 

Chrysanthemum in Bloom
A white and yellow Chrysanthemum shows various stages of bloom in this photo. This shot was taken handheld in available light.
Gear Used
Canon EOS 5D Mark II Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
1000mm  f/11.0  1/50s ISO 500 5616 x 3744px
 
 
 
 
Starfish Holding Hands
Well, more like crawling over each other. These starfish are in a shallow tidal pool on the Maine coast. Macro lenses are fun to explore with.
Gear Used
Canon EOS 5D Mark II Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/8.0  1/100s ISO 100 5616 x 3744px
 
 
 
 
 
Misty Mum
Water droplets misted on a mum.
Gear Used
Canon EOS 7DBuy ► Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/5.6  1/160s ISO 200 5184 x 3456px
 
 
 
 
 
If I Were a Fly ...
... I would be dead. This American Toad appears that it might be fly hunting. Don't be afraid to move in close to your subjects - to gain a different perspective/look in your images. Macro lenses make moving closer very possible - as long as your subject doesn't hop away.
Gear Used
Canon EOS 1D XBuy ► Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/3.5  1/100s ISO 200 5184 x 3456px
 
 
 
 
Layers of Plant Leaves
By placing the camera's line of sight perpendicular to the plane of the plant leaf, much of the leaf remains in focus even with the shallow DOF producted by the f/2.8 aperture at this close distance. The more distant leaves obviously go out of focus. The primary leaf is fully contained in the frame, but the background leaves go beyond the frame into the corners.
Gear Used
Canon EOS 1D XBuy ► Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/2.8  1/125s ISO 100 5184 x 3456p
 
 
 
 
Ring Flash Reflection on iPhone
Some subjects beg to centered in the frame and one of the first of such subjects that come to my mind are products. Products are often rendered large in the frame, showing as much detail as possible in the space allocated for them on a web page, product catalog, etc. Today's product is a smart phone – an iPhone 5 to be specific. I first shared this iPhone photo in the Canon Macro Ring Lite MR-14EX II Flash review and obviously, the ring flash is the source of the bright reflection. Ring lite flash reflections in my photos is not usually my preference, it probably does not help sell the product in this case and I typically avoid these, but ... sometimes creatively using the open and close parenthesis reflection can work for at least an artistically creative purpose. This phone and the glass under it is on are both black and highly reflective. To avoid other reflections on the phone and glass, I had a piece of black velour material between me and the subject and the ambient lights were turned off to create a black room. To get the flash reflection perfectly centered, I utilized the reflection of the MR-14EX's focusing lights while working straight overhead. Working in the dark with only the focusing lights made perfectly aligning and centering the subject with the camera perfectly positioned over the phone a big challenge. I'll just say that more than 1 photo was required to get it right. I might have very slightly tweaked the image borders in Photoshop also – when the borders of an image are solid white or black in color, it is easy to manipulate the image boundaries. The overall result in this case is an image that you probably have not seen before (other than in the aforementioned review).
Gear Used
Canon EOS 5D Mark IIIBuy ► Canon EF 100mm f/2.8L IS USM Macro LensBuy ► Canon Macro Ring Lite MR-14EX II FlashBuy ►
Camera and Lens Settings
100mm  f/13.0  1/200s ISO 100 5760 x 3840px
 
 
 
 
Frosted Landscape
A hoar frosted landscape found a the top of Cadillac Mountain, Acadia National Park, Maine.
Gear Used
Canon EOS 5D Mark II Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/8.0  1/50s ISO 100 5616 x 3744px
 
 
 
 
Promethea Moth
To get this shot, I hauled a large tree stump into my studio. With the ability to use my full studio lighting and with a natural surface for the moth, I had an easy combination for good photos. The shallow depth of field at such a close focusing distance means that moth and butterfly photos often work best with the wings aligning with the camera's sensor plane.
Gear Used
Canon EOS 5D Mark IIIBuy ► Canon EF 100mm f/2.8L IS USM Macro LensBuy ►
Camera and Lens Settings
100mm  f/11.0  1/160s ISO 100 5760 x 3840px
 
 
 
 

LENS FLARE

      2010-08-28_11-43-23 F2.8 2010-08-28_11-43-27 F4.0 2010-08-28_11-43-31 F5.6 2010-08-28_11-43-36 F8.0 2010-08-28_11-43-38 F11.0 2010-08-28_11-43-42F16.0        

*LENS DISTORTION

      2011-03-29_11-16-35  

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